Monday, November 26, 2012

Final project


Final Project

Topic:  For my final, I am going to try and incorporate many of the ideas we have discussed in class into a lesson plan that explores dialect, culture, and identity.  My goal is to put something together for students to learn how to speak in another’s voice/dialect, and in so doing find a deeper understanding of their own voice, identity and dialect (and hopefully make the connection that all dialects, and in fact all people are equally important).  At this point I envision something like our group study/presentations on dialect.  Followed up with reading Twain’s A True Story, Repeated Word for Word As I Heard It—then a writing project, for which students will be asked to write approximately two pages of dialogue (either fiction, or transcribed like our classroom dialogue project) representative of the parlance of their time/place.

Format:  4-6wk lesson plan.  I will be using the “Backward Design Model” (Tomlinson & McTighe, Understanding By Design), as my template.  The backward—design, lesson format is one which I have been working with a little bit, and also hope to use it during my student teaching experience.  After creating the lesson plan, I will also address which elements of the Common Core Standards this lesson plan touches upon.

Questions:  At this point I am wondering if I have too broad a topic, and am hoping the answer to this question will reveal itself as I start putting the lesson together.  Plus I would appreciate any feedback that may help guide me to a better end product.

Tuesday, November 13, 2012

Oh Gee's


The Note

From common core page 35—Reading Standards: 

Note on range and content of student reading

To become college and career ready, students must grapple with works of exceptional craft and thought whose range extends across genres, cultures, and centuries. Such works offer profound insights into the human condition and serve as models for students’ own thinking and writing. Along with high-quality contemporary works, these texts should be chosen from among seminal U.S. documents, the classics of American literature, and the timeless dramas of Shakespeare. Through wide and deep reading of literature and literary nonfiction of steadily increasing sophistication, students gain a reservoir of literary and cultural knowledge, references, and images; the ability to evaluate intricate arguments; and the capacity to surmount the challenges posed by complex texts.

Discourse analysis questions from Gee chapter 6 “Figured Worlds as Tools of Inquiry”

C) How consistent are the relevant figured worlds here? Are there competing or conflicting figured world at play?  Whose interests are the figured worlds representing?

I found Gee’s chapter 6 to be very insightful, especially when questioning my own ‘frames of mind’ or ‘figured worlds.’  In regard to the common core, we all bring our own perspective and simplified view of what is normal.  As for the aforementioned section, Gee’s ‘tools of inquiry’ really help me to see that the common core is trying to tie so many things together in an attempt to cover all the bases that it loosely connects so many ideas that the ‘consistency of the relevant figured worlds’ is, well, inconsistent.  Gee helps me understand that there is no one lens through which to see the world, and although I appreciate those whom collaborated on the common core, Gee, and discourse analysis in general helps me to see that there are multiple voices speaking through the common core document.  Are these voices competing?—I think that, again, depends on who is reading, or viewing the document—although many voices are present, there are still voices that are missing.  As for “whose interests are the figured worlds representing?,” I believe the document is trying to represent the voices of students, but it is also representative of the efficiency experts and business interests hoping that education falls in line with producing human beings ready-made for military-industrial complex that is shaping modern human existence.  Just one reading… certainly not the only one.  In fact, a reading that is the complete inverse of what I have just said is highly possible and certainly relevant.

 

 

Thursday, November 8, 2012

Discourse analysis questions applied to a passage of the common core


The Note

From common core page 35—Reading Standards: 

Note on range and content of student reading

To become college and career ready, students must grapple with works of exceptional craft and thought whose range extends across genres, cultures, and centuries. Such works offer profound insights into the human condition and serve as models for students’ own thinking and writing. Along with high-quality contemporary works, these texts should be chosen from among seminal U.S. documents, the classics of American literature, and the timeless dramas of Shakespeare. Through wide and deep reading of literature and literary nonfiction of steadily increasing sophistication, students gain a reservoir of literary and cultural knowledge, references, and images; the ability to evaluate intricate arguments; and the capacity to surmount the challenges posed by complex texts.

Discourse analysis questions from Gee's chapter 2 (the 7 things language is enacting/building):

1)      Significance.  Question: How is this piece of language being used to make certain things significant or not and in what ways?

The note works to make certain works to be read, and certain ways of reading significant.  The note uses certain words, and combinations of words as signifiers of works and the reading of those works to result in “college and career” readiness, including: ‘extends across genres, cultures, and centuries,’ ‘human condition,’ ‘thinking and writing,’ ‘seminal documents,’ ‘classic,’ ‘timeless,’ steadily increasing ‘sophistication’—all in all, the note is describing a literary canon, or a to be red list combined with a how to read list.  We are made to assume that reading these works (and ‘grappling’ with them) will make students more college and career ready.

2)      Practices (Activities).  Question: What practice (activity) or practices (activities) is this piece of language being used to enact (i.e., get others to recognize as going on)?

The note pushes the idea that the act of reading (to become college and career ready) follows along a few linear paths: from less complex to more complex; from being about history to being about the present; from being about one’s own culture to being multicultural; and from being literature to being nonfiction.

3)      Identities.  Question: What identity or identities is this piece of language being used to enact (i.e., get others to recognize as operative)?  What identity or identities is this piece of language attributing to others and how does this help the speaker or writer enact his or her own identity?

The note is trying to see that it is providing a map towards college and career readiness.  If one follows the suggestions therein, they will be college and career ready.  The identity of the speaker is that of an authority.

4)      Relationships.  Question: What sort of relationship or relationships is this piece of language seeking to enact with others (present or not)?

The note actively discusses students’ relationships with written texts.  In being a document about education, relationships range from student to teacher; student to school; student to family (care provider); student to community/society; student to college and career—plus many more possible relationships. It would also be possible for one to interchange the participants in the aforementioned relationships—for example, student to teacher could become parent to teacher—there is a large range of relationship possibilities enacted by the note.

5)      Politics (the distribution of social goods).  Question: What perspective on social goods is this piece of language communicating (i.e., what is being communicated as to what is taken to be “normal,” “right,” “good,” “correct,” “proper,” “appropriate,” “valuable,” “the way things are,” “the way things ought to be,” “high status or low status,” “like me or not like me,” and so forth)?

The note communicates a proper set of events that ultimately leads to college and career readiness (which this note works to claim is a high status).  Plus informational texts seem to be given a higher status than literature (if you follow the logic that as you progress from grade to grade informational texts are given more attention).

6)      Connections.  Question: How does this piece of language connect or disconnect things; how does it make one thing relevant or irrelevant to another?

The note connects reading to what it is to be human and works to create a connection between reading and writing as a way to connect humans from the past to humans in the present, and to what being human may look like in the future.  It also works to connect reading certain texts in certain ways to what it is to be college & career ready.

7)      Sign Systems and Knowledge.  Question: How does this piece of language privilege or disprivilege specific sign systems (e.g., Spanish vs. English, technical language vs. everyday language, words vs. images, words vs. equations, etc.) or different ways of knowing and believing or claims to knowledge and belief (e.g., science vs. the Humanities, science vs. “common sense,” biology vs. “creation science”)?

As previously stated, this note privileges informational texts over literary texts.  It also privileges certain texts as being those that lead to and represent college and career readiness.  Complexity is privileged over simplicity.